
Planning a wedding day timeline around the light
Where the sun sits at each hour of the day decides more about your photographs than any lens. Here is how we build a timeline around it.
Nadia Ferrant
2 min read
The light on a wedding day changes every hour, and it does not wait for speeches to run on time. When we plan a timeline with a couple, we start with the sun and fit the day around it.
Start with sunset
Look up the sunset time for your date and location. The hour before it is the softest, warmest light of the day, and it is when we want twenty minutes with the two of you for portraits. Everything else on the timeline is worked backwards and forwards from that window.
Getting ready
Choose a room with a large window and clear the clutter from one corner before we arrive. We photograph getting ready in daylight, so a bright room matters more than a large one. Allow at least ninety minutes, and have dresses, suits and details in one place so we can photograph them while hair and make-up are finishing.
The ceremony
Midday sun is hard and casts deep shadows under the eyes. If the ceremony is outdoors and the time is fixed, ask the venue about shade, or position the arch so the sun sits behind the guests and off the couple's faces. Indoor ceremonies are easier to plan, but a quick note on whether flash is allowed saves a conversation with the officiant on the day.
Family photographs
Make a list of groups, keep it to ten or fewer, and name one person who knows everyone to gather them. With a list and a helper, family photographs take about twenty minutes. Without one, they take most of the drinks reception.
A sample timeline
12:00 Getting ready, details, letters
14:30 First look, if you are having one
15:30 Ceremony
16:15 Family groups, then drinks
18:00 Dinner and speeches
19:20 Twenty minutes outside for portraits, an hour before a 20:20 sunset
20:30 First dance and the evening
Every day is different, and we send a draft timeline built for yours a month before the wedding. Our producer then keeps it current with your planner until the week itself.
More from the journal

Planning
·
What a shot list is, and how we build one with you
A shot list turns a brief into a day's work. What goes on it, who signs it off, and how it keeps a shoot on schedule.

Licensing
·
Image licensing, in plain terms
Who owns the photographs, what a licence covers, and the four questions we ask before writing one into an estimate.

Sessions
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How to prepare for a portrait sitting
What to wear, when to book, what to bring, and why the first twenty minutes of a sitting rarely make the gallery.

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